arms ache avid aeon: Chapter Four

Season ONE
arms ache avid aeon: Nancy Brooks Brody / Joy Episalla / Zoe Leonard / Carrie Yamaoka: fierce pussy amplified
Chapter Four: Feb. 20 – Mar. 17, 2019

Season overview and other Chapters:
arms ache avid aeon:
Nancy Brooks Brody / Joy Episalla / Zoe Leonard / Carrie Yamaoka:
fierce pussy amplified

arms ache avid aeon: A Symposium takes place Sat. March 2, 1-4 p.m. for more info, please go here.

Each of the four chapters contains its own set of wall text. Download Chapter Four wall text. Download Chapter Four map and list of artworks. Download fierce pussy archive booklet.

Joy Episalla, Les Psychanalystes et le Marché, 2010-2015, 1-channel video, audio installation, aluminum benches, 78 min 29 sec, Dimensions variable. Photo: Stephen Takacs

LEFT WALL: Carrie Yamaoka, crawl/stretch, 2018, Flexible urethane resin on reflective vinyl, 86 x 48 in.
RIGHT WALL: Joy Episalla, Skin 7, 2001-2018, Cotton, wood, 18 x 12 in.
FLOOR: Joy Episalla, Removed (1 of 5 parts), 2001-2002, Cotton batting, polyester, wood, metal
30 x 24 x 32 in. Photo: Stephen Takacs

Carrie Yamaoka, crawl/stretch, 2018, Flexible urethane resin on reflective vinyl, 86 x 48 in. Photo: Stephen Takacs

LEFT WALL: Joy Episalla, Skin 7, 2001-2018, Cotton, wood, 18 x 12 in.
RIGHT WALL: Joy Episalla, Les Psychanalystes et le Marché, 2010-2015, 1-channel video, audio installation, aluminum benches, 78 min 29 sec, Dimensions variable.
FLOOR: Joy Episalla, Removed (1 of 5 parts), 2001-2002, Cotton batting, polyester, wood, metal
30 x 24 x 32 in.
Photo: Stephen Takacs

WALL: Joy Episalla, Skin 7, 2001-2018, Cotton, wood, 18 x 12 in.
FLOOR: Joy Episalla, Removed (1 of 5 parts), 2001-2002, Cotton batting, polyester, wood, metal
30 x 24 x 32 in.
Photo: Stephen Takacs

CLOCKWISE FROM LEFT: Carrie Yamaoka, Zoe Leonard, Joy Episalla. Photo: Stephen Takacs

Carrie Yamaoka, 14.125 by 11.875 (black and white #1), 2014, Reflective mylar, cast flexible urethane resin, mixed media, 14.125 x 11.875 in. Photo: Stephen Takacs

LEFT WALL: Nancy Brooks Brody, West/South, 90° Line 2018, Metal embedded into sheetrock wall
20 ft x 1 ¼ in; LEFT FLOOR: Nancy Brooks Brody Cement Shoes 2018 (from a series beginning in 2001), Leather shoes, concrete 5 x 12 x 10 in.
RIGHT WALL: Carrie Yamaoka, 36 by 36 (clear #2) 2010, Reflective mylar and urethane resin on wood
panel, 36 x 36 in; RIGHT FLOOR: Joy Episalla, skins 1-5, 2001-2018, Cotton, Dimensions variable. Photo: Stephen Takacs

Carrie Yamaoka, 36 by 36 (clear #2) 2010, Reflective mylar and urethane resin on wood
panel, 36 x 36 in. Photo: Stephen Takacs

Joy Episalla, skins 1-5, 2001-2018, Cotton, Dimensions variable. Photo: Stephen Takacs

LEFT WALL: Nancy Brooks Brody, Circles (black grey red) 2019, Enamel on metal embedded into sheetrock wall, 4 in diameter each.
RIGHT WALL: Zoe Leonard, Untitled, 2016, Gelatin silver print, 16 x 13 ½ in / 40.6 x 33.7 cm.
FLOOR: Joy Episalla, skins 1-5, 2001-2018, Cotton, Dimensions variable. Photo: Stephen Takacs

Zoe Leonard, Untitled, 2016, Gelatin silver print, 16 x 13 ½ in / 40.6 x 33.7 cm. Photo: Stephen Takacs

Nancy Brooks Brody, Circles (black grey red) 2019, Enamel on metal embedded into sheetrock wall, 4 in diameter each. Photo: Stephen Takacs

Nancy Brooks Brody, Circles (black grey) 2019, Enamel on metal embedded into sheetrock wall, 4 in diameter each. Photo: Stephen Takacs

CLOCKWISE FROM MIDDLE: Carrie Yamaoka, Nancy Brooks Brody, Joy Episalla. Photo: Stephen Takacs

Nancy Brooks Brody, Sex Ad – Butter Rum, 2001, Gouache and pencil on Village Voice sex ad page, 16 x 13 in framed. Photo: Stephen Takacs

CLOCKWISE FROM LEFT: Joy Episalla, Nancy Brooks Brody, Nancy Brooks Brody, Joy Episalla. Photo: Stephen Takacs

Nancy Brooks Brody, Double Lines #2, 2018, Thread on paper, 26 x 20 in. Photo: Stephen Takacs

CLOCKWISE FROM LEFT: Carrie Yamaoka, Nancy Brooks Brody, Joy Episalla, Nancy Brooks Brody, Nancy Brooks Brody. Photo: Stephen Takacs

Joy Episalla, garage 13, 1989/2015, Pigment print on brushed aluminum, 40 x 70 x 6 in. Photo: Stephen Takacs

Nancy Brooks Brody, Cement Shoes, 2018 (from a series beginning in 2001), Leather shoes, concrete 5 x 12 x 10 in. Photo: Stephen Takacs

CLOCKWISE FROM LEFT: Zoe Leonard, Nancy Brooks Brody, Zoe Leonard, Nancy Brooks Brody, Nancy Brooks Brody. Photo: Stephen Takacs

Zoe Leonard, New York Harbor I, 2016, Two gelatin silver prints, 27 x 17 1/8 in / 53.3 x 43.5 cm. Photo: Stephen Takacs

CLOCKWISE FROM LEFT: Zoe Leonard, Carrie Yamaoka, Joy Episalla. Photo: Stephen Takacs

Zoe Leonard, Crossing the Equator, 2016, Five pigment prints, 8 ½ x 10 ¾ in / 21.6 x 27.3 cm (each) Photo: Stephen Takacs

LEFT: Zoe Leonard, February 27, frame 30, 2012, Gelatin silver print, 14 x 9 ¾ in / 35.6 x 24.8 cm, © Zoe Leonard, Courtesy the artist, Hauser & Wirth and, Galerie Gisela Capitain, Cologne.
RIGHT: Nancy Brooks Brody, 4” Circle Removed, 2018, 4 in diameter.
Photo: Stephen Takacs

Zoe Leonard, February 27, frame 30, 2012, Gelatin silver print, 14 x 9 ¾ in / 35.6 x 24.8 cm, © Zoe Leonard, Courtesy the artist, Hauser & Wirth and, Galerie Gisela Capitain, Cologne. Photo: Stephen Takacs

LEFT: Carrie Yamaoka, Steal this Book #2, 1991/1993, Chemically altered unique silver gelatin print 22 x 26 framed.
RIGHT: Nancy Brooks Brody, North/South, 10° Line, Removed, 2018, 16 ft x 1 ¼ in. Photo: Stephen Takacs

FROM LEFT TO RIGHT:
Joy Episalla, Les Psychanalystes et le Marché, 2019, Broadsheets.
Carrie Yamaoka, A is for Angel, 1991, Letraset and rubber cement on vellum, 17 x 14 in framed.
Carrie Yamaoka, 68 by 32 (lift-off), 2017, Reflective mylar, epoxy resin, and mixed media on wood panel, 68 x 32 in, Courtesy of Chandra and Jimmie Johnson
Carrie Yamaoka, 14.125 by 11.875 (black and white #1), 2014, Reflective mylar, cast flexible urethane resin, mixed media, 14.125 x 11.875 in.
Photo: Stephen Takacs